Session 1: Sampling and synthesis are two areas within sound design that I find particularly fascinating. Using any of a broad variety of synthesis techniques, sounds can be invoked from nothing but mathematics and electronics, essentially bringing abstract, aural ideas into reality.

Pioneering examples of synthesis in music include, Tomita (The Planets), Wendy Carlos (Switched on Bach), Jean Michel Jarre (Oxygene), and Kraftwerk (Autobahn).

The first of these techniques that we will explore is called subtractive synthesis. This method involves the removal of harmonics from basic waveforms through the use of a filter, similar to an equalizer.

The typical signal path of a basic analog synthesizer:

LFO -> VCO -> VCF -> VCA
        |      |
       ENV    ENV

I will explain this diagram during our discussion.

“Wild Tracks and Foley” Project Milestone and Feedback
Please be prepared to show that you have completed the following steps before the end of lab today:
1. Show that you have a minimum of three audio tracks and a master fader layered so far
2. Illustrate the use of inserts on at least one of the audio tracks
3. Demonstrate how you have applied automation to one or more tracks
4. Ask questions. This is your final chance to get feedback on your project

Session 2: At the beginning of class today we will be presenting the “Wild Tracks and Foley” project. After the presentations let’s discuss the requirements for the next two part assignment, synthesis and sampling.